Abstraction Art Exhibition

The “Abstraction” Online Art Competition took place from June to July 23, 2026, showcasing a dynamic and diverse range of artistic talent. Embracing a theme, the competition welcomed every form of artistic expression, from traditional to contemporary. Artists worked across multiple mediums such as oil acrylic, oil, pastel, collage, digital art, bronze, photography resulting in a rich and varied exhibition. Each entry was carefully reviewed by the jury according to specific evaluation standards: creativity, originality, thematic interpretation, quality of execution, overall composition, artistic technique, and mastery of medium. After a thoughtful selection process, 54 outstanding works were chosen to be part of the final exhibition. Thank you for supporting contemporary art. Enjoy the show.

BEST OF SHOW

Robert Obier

My exploration of the language of form is an inquiry into the nature and discipline of creation itself—a pursuit of the fundamental organizational principles that govern the design of the cosmos and give rise to the artifacts of human ingenuity. From the meticulous drawings of Leonardo da Vinci to the digital marvels of Industrial Light & Magic, I am captivated by the boundless reach of human imagination. My work is an exploration of the mysterious unifying principals that inform the natural world, revealing a deeper order and structure that is the cornerstone of our reality. I am fascinated and inspired by the scope of human imagination and invention. Ultimately, my work is an inquiry into the very nature of design inspiration itself: the elusive, primordial spark that gives birth to form before function, idea before utility. 

Robert Obier - Solar Wind
SECOND PLACE

Allan Gorman

I’m a product of NYC in the late 60s. My world was shaped by the grit of old back alleys, statuesque skyscrapers, and radical ideas that challenged the norms of everything that came before. Cool jazz provided my soundtrack and modern art, bold design, and rebellion crept into my soul—igniting a lifelong passion for drama to be found in unexpected places. The art I make today is a continuation of this fascination. I’m always looking for ways to rekindle that delicious drama, drawing my inspiration from the overlooked details, edges, and intersections that stop me in my tracks. This focus is often conveyed in formal, geometric compositions—devoid of unnecessary distractions—allowing the pure design elements and concepts take center stage. The depicted spaces are an ongoing rediscovery of who I am—rooted in my past, but always looking forward to what’s next.

Allan Gorman - Mystery Under a Blood Moon
THIRD PLACE

Eldon Ward

Both artist and viewer wish to experience the joy of the creative process. We also want to be prompted to react and learn. I search to find joy and refine my visual voice through making paintings. I often pursue an interplay between organic and built; a mix of the intentional and accidental; and an intersection of curiosity and tranquility. I don’t think abstraction and representation necessarily need to be segregated. I use strong colors of water-based media: typically, acrylics. For environmental and practical reasons, I fabricate my panels from recycled/repurposed building materials. This has the added benefit of freeing me from being locked into rectilinear forms. I approach artwork as a problem-solving process (although I usually invent the aesthetic problems). I believe in evaluation using the criteria of craftsmanship, composition, and creativity – following an initial emotional response. 

Eldon Ward - Lunar Shell - acrylic on panel